Today's poem is "Small Talk"
from light waves
Kirsten Shu-ying Chen
grew up at the Jersey Shore. She graduated from the University of Maryland's business school, spent some time in Washington DC and Baltimore, then moved to New York where she received her MFA in creative writing from the New School. She's also a sketch comedy writer, screenwriter, and founder of the former BTP artist collective. Her poetry can be found in Best American Poetry, PANK, The Florida Review, Yes Poetry, and elsewhere. Earlier versions of this collection were named finalist for both the Autumn House Press chapbook prize and the Tomaz Salamun chapbook prize from Factory Hollow Press. She currently lives in New York City. Light waves is her debut full-length poetry book.
Books by Kirsten Shu-ying Chen:
Other poems on the web by Kirsten Shu-ying Chen:
Two poems
"Starlight"
"Life on Mars"
"Life on Mars"
"Most Animals"
"Mapping My Mother"
"Earth's Axis"
"Hubble Deep Field"
Kirsten Shu-ying Chen's Website.
Kirsten Shu-ying Chen on Twitter.
About light waves:
"While light waves is a book of mourning, it is also one of bafflement and wonderment, pluck and joy. Kirsten Shu-ying Chen writes about the loss of a beloved parent with great tenderness, and with the detailed eye of a jeweler or a scientist-an eye that recognizes what is precious without succumbing to preciousness. In these poems we find Chen learning from grief as she leans into it and reaches beyond it. What she learns is all the more affecting for being so hard won: 'When I think of God, / I think of language / falling / short but leaping anyway.'"
"Kirsten Shu-ying Chen's searing debut collection offers a poignant exploration of the liminal space between what is holy and what is prosaic. Formalistically rich and varied, these poems do not blink in the face of grief, but shelter there. Chen 'curse[s] the wide width of the wound' and creates a world in which her poems link arms to enter the blistering present. A demonstration of the daily rituals of love, these elegies swell with humanity as death draws near. 'The body knows. / The night knows and the body listens.' Light waves simultaneously reminds us of what we already know and what we too often forget: there just isn't enough time, and yet, an abundance of joy is everywhere, for each of us."
"Kirsten Shu-ying Chen's poems grieve, celebrate, and pull us into their vibrant worlds with sonic precision and moving intimacy. I most admire the striking aliveness of the mother at the heart of the book. Chen portrays the mother in memoriam, the mother dying, with such sharp attention that we can't help but fall in love with the woman behind 'Nancy Chen & the Sorry People' who pulls singles from her bra for the church collection basket and winks while seated in her wheelchair. Chen's light waves treats grief with an enviable transcendence made possible through otherworldly lovethe love of family, yes, but also a willful love of life."
Mark Bibbins
Omotara James
Eugenia Leigh
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