Keith Flynn is the award-winning author of seven books, including five collections of poetry: The Talking Drum (1991), The Book of Monsters (1994), The Lost Sea (2000), The Golden Ratio (Iris Press, 2007), Colony Collapse Disorder (Wings Press, 2013), and a collection of essays, entitled The Rhythm Method, Razzmatazz and Memory: How To Make Your Poetry Swing (Writer's Digest Books, 2007). His latest book is a collaboration with photographer Charter Weeks, entitled Prosperity Gospel: Portraits of the Great Recession. From 1984-1999, he was lyricist and lead singer for the nationally acclaimed rock band, The Crystal Zoo, which produced three albums: Swimming Through Lake Eerie (1992), Pouch (1996), and the spoken-word and music compilation, Nervous Splendor (2003). He is currently touring with a supporting combo, The Holy Men, whose album, LIVE at Diana Wortham Theatre, was released in 2011. His award-winning poetry and essays have appeared in many journals and anthologies around the world, including The American Literary Review, The Colorado Review, Poetry Wales, The Cuirt Journal (Ireland), Five Points, Poetry East, The Southern Poetry Anthology, Margie, The Cimarron Review, Rattle, Shenandoah, Word and Witness: 100 Years of NC Poetry, Crazyhorse, and many others. He has been awarded the Sandburg Prize for poetry, a 2013 NC Literary Fellowship, the ASCAP Emerging Songwriter Prize, the Paumanok Poetry Award and was twice named the Gilbert-Chappell Distinguished Poet for NC. Flynn is founder and managing editor of The Asheville Poetry Review, which began publishing in 1994.

Other poems by Keith Flynn in Verse Daily:
April 6, 2013:   "Lincoln's Life Mask" "Who would guess, 150 years hence..."

Books by Keith Flynn:

Other poems on the web by Keith Flynn:
"Baby Boomers"
"Tranquility & Tremolo"

Keith Flynn's Website.

About The Skin of Meaning:

"For some time we've been waiting for a poet to appear who could adequately confront the vast and deliriously complex matter of the USA—its people, its art, its material and popular culture, its misdeeds and its election mistakes. Also, one who could respond to the artistic legacy of Europe. Keith Flynn is that poet. His range is wider than any poet's I'm aware of, a range matched by his varied diction and his fluent mastery of syntax. The apparent ease he brings to this thorny project is one of the work's most impressive aspects. I urge readers to greet this book with the praise it deserves."
—Alfred Corn

"Keith Flynn is a brilliant, bodacious poet at the top of his sonic, linguistic game in this new volume of poetry, The Skin of Meaning, with poems that dance off the page in arpeggios of flight, gripping the reader's imagination and taking American poetry in a new, exhilarating direction."
—Quincy Troupe