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Today's poem is "Biopoiseis"
from Rods and Koans

Red Mountain Press

Irena Praitis is the author of five books of poetry, most recently RODS AND KOANS (Red Mountain Press, 2018), and a book of nonfiction prose poems. She also co- translated a volume of poems by Lithuanian poet Sonata Paliulyte. Her most recent collection, THE LAST STONE IN THE CIRCLE, received the 2015 Red Mountain Press Poetry Prize. A Fulbright Scholar to Vilnius, Lithuania, her poems, translations, essays, and reviews have appeared in more than 100 literary journals. She is a professor of creative writing and literature at California State University, Fullerton, and lives in Fullerton, California with her son, Ishaan who loves rocks.

Books by Irena Praitis:

Other poems on the web by Irena Praitis:
Two poems
"Salt Lies Sprinkled"

About Rods and Koans:

"This is an inspired—and important—arrangement of fundamentals in an intellectual tag, a quick and constant interlacing of ideas to things, moments to possibilities, science to other sciences of belief and esthetics and desire. 'It's not always pretty, what holds us together.' As it turns out, in these pages, what holds us together is, if not pretty, worthy of our full consideration. From elemental odes to precise definitions, rather than each acting in a vacuum, it's the imaginative connectivity bridging differences that pulses in the heart of this collection. Through these pieces, we are edged toward a better grasping of the great jigsaw that is this world."
—Alberto RĂ­os

"Irena Praitis in her latest startlingly lucid collection RODS AND KOANS proves herself again a visionary, a poetic seer, who takes the games and twists of language and poises them in sharp relief, in shock of light, to get at deep heart truth. She turns the most commonplace objects into vessels of transformation, a kitchen sink becomes a microcosm for American greed, where 'Drains throat more than water' but a 'river of waste we launch / earthward.' This collection is a myriad of voices, a multitude of forms and structures and the philosophies of those who've walked these paths before and perhaps failed where we try again and fail some more—all woven into a tight and compelling narrative where the speaker asks the knives and flyswatters and periodic elements what does it mean to be human? Of water, what does it mean to be alive? Of salt, what does it mean to be home?"
—Jenn Givhan

"From narrative, to lyric, to koans; employing allusion, disconnection, indirection, epigraphs, paradox, and wordplay (even the title puns); these poems invite readers to sense or ferret out connections, to decide how far down the rabbit hole to go—rewarding at every level: emotionally, intellectually, spiritually, sensually, in considering topically urgent themes—power, inequality, harm, healing, division, compassion, and acceptance, through quotidian and cosmic lenses, with lovely music and imagery: 'I sense violence / in convenience,' and 'a floating cone / scooping lumens / out of shadow."
—April Ossmann



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