Frank Osen was born in Yokosuka, Japan, in 1954, grew up in Southern California, and is a graduate of the University of California at Berkeley and Loyola Law School in Los Angeles. He worked for many years in law, as general counsel to health care companies and also in real estate investment. He lives in Pasadena, California, and walks to work at the Huntington Library. He and his wife, Susan, have been married for thirty years and have three grown children. Virtue, Big as Sin is his first full-length collection and the winner of the 2012 Able Muse Book Award.

Books by Frank Osen:

Other poems on the web by Frank Osen:
Eight poems
"The Plenum Contends"
Two poems
"Study"
"Focus"

Frank Osen's Website.

About Virtue, Big as Sin:

"Frank Osen’s Virtue, Big as Sin offers one witty, elegant poem after another. The rhymes are especially clever, the meter sure, the stanzas well-shaped, but this poet’s sense of proportion is also reflected in wisdom (and what is wisdom but a sense of proportion?). An urbane maker of sparkling phrases like 'that genuine Ur of the ersatz,' Osen can also write plainly, movingly, about a young girl’s funeral. And he reflects often on art itself, which he so rightly calls 'the conjured awe.'"
—Mary Jo Salter

"In his talent for tragedy and comedy, and for mixing them, Osen takes his place in a distinguished line of English-language poets that runs from Chaucer and Shakespeare down to our day."
—Timothy Steele

"Reading Virtue, Big as Sin has left me with the sense of satisfaction and enduring pleasure that really good poetry always produces, even when it also does the rest of what honest writing may do: confirm suspicions about ourselves we wish we could refute, bring to mind aspects of nature we’d rather forget, and deliver alarming news about the future, both public and private. Frank Osen does all of this and much more, all with grace and wit, in language that makes the messenger thoroughly 'one of us.'"
—Rhina P. Espaillat

"Frank Osen’s poems revel in beauty and pleasure, in technical dexterity and high-gloss finish. Readers who care about such things will be abundantly rewarded. But the reveling is haunted by loss, awful possibilities of failure, a nothingness glimpsed beneath the carnival. One of Osen’s avowed tutelary spirits is Wallace Stevens, and his probing of his subjects can often seem like an extended, heart-wrenching commentary on Stevens’s line, “Death is the mother of Beauty.” The fragility of beauty, the omnipresence of death, and the intimate connections between them, are everywhere present in these marvelously heartening and effective poems."
—Dick Davis